Raymond Briggs shouldn’t need an introduction. He’s the godfather of UK children’s book illustration – and having taught at University of Brighton he has managed to influence plenty of current illustrators (including PJ Lynch).

Best known for creating the seasonal favourites Father Christmas and The Snowman - as well as Fungus the Bogeyman – there is a cannon of more than twenty books and 13 awards (including two Kate Greenaway and a  Children’s Author of the Year).

There is always the sense in Briggs’s work that he makes his books for himself rather than for any target audience. He believes that children can cope quite nicely with adult subtleties and he’s happy enough to risk an equivocal or even an unhappy ending. This is one of the things that give his stories a depth that many contemporary illustrated children’s books lack. It is tempting to think of this as a British trait: certainly, of the crop of American books this summer, few can resist an empowering ‘Hollywood’ resolution. – Tim Adams

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I’m no expert and open to any/all recommendations – I’d love to find books that I’ve never come across – so if you have a suggestion, send it on.

Recently placed online in its entirety the Codex Seraphinianus is a visual encyclopedia of an unknown world with undeciphered alphabetic writing by the Italian artist Luigi Serafini. And here’s a Believer article on the book.

To celebrate Spot’s 30th birthday Illustrator Eric Hill shows how he draws ‘my little puppy’ and explains how he fell into writing the books almost by accident.

I’m blatantly cheating again this week. The Guardian featured Chris Wormell’s work yesterday and I, by coincidence, read his book One Smart Fish last week. That is nearly the sum total of what I know about Chris’ work – I loved the premise (fish finding their feet) and the amazing colour, crowds and landscapes in One Smart Fish.

The Guardian, again this week, makes for an excellent introduction:

The pastel drawings are immensely pleasing, but the real charm lies in the way that the protagonists, like all small children, are oblivious to the chaos they cause. – Lyn Gardner talking about Off to the Fair.

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I’m no expert and open to any/all recommendations – I’d love to find books that I’ve never come across – so if you have a suggestion, send it on.

This week was the easiest yet – I was going to talk Raymond Briggs. But the Guardian have done all the reading for me with an amazing retrospective of Michael Foreman’s work – from his first book, The General, through some of his better (and lesser) known titles – Foreman has managed to create 300 titles for both adults and children.

Outside of The General and a few (2) other picturebooks – I’m not too familiar with Foreman’s work.

The Guardian feature makes for an excellent introduction:

Pictures offer a way of looking at and interpreting the text from a different angle. What you do is provide an image that makes the book work better rather than necessarily illuminating the text. – Michael Foreman

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I’m no expert and open to any/all recommendations – I’d love to find books that I’ve never come across – so if you have a suggestion, send it on.

As a contributor to the Picture Book Report project Sam Bosma is busy illustrating The Hobbit. Check out his progress on his blog, including his working process.

For his final year project Philadelphia illustration student Jim Tierney created new covers for the Jules Verne series; featured on Faceout Books.

It has been a long time since I’ve read a book by Judith Kerr. At least it was until last week.

There is a classic simplisity and unartistic element to her books, that help create their own memorable characteristic and style. I had forgotten how deceptively simple Kerr’s illustration is – from Mog (and the range of supporting cast) to the untiger-like tiger:

Look at the tiger who came to tea – it’s not really a tiger at all. Quentin Blake would have made it much funnier and Michael Foreman would have drawn it better. – Judith Kerr

It’s no surprise that Judith’s work is still popular. It owes nothing to the vagaries of style or fashion. Her warmth and humanity are timeless. – Michael Foreman

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I’m no expert and open to any/all recommendations – I’d love to find books that I’ve never come across – so if you have a suggestion, send it on.

Above is a behind-the-scenes look at the making of the 3D illustrated book Here Comes the Garbage Barge! by Red Nose Studio. You can find more process images on their blog.

Marie Louise Fitzpatrick has a lot to answer for. Namely a generation of children with a love for skunks named Skunk (Izzy and Skunk was the first picture-book I bought as a semi grown-up).

The colourful pages and sparse text in MLF’s books work – the reader is nudged in the direction of her story, never pulled by the nose. The imagination and take on what readers (big and small) will enjoy is refreshing:

OF THE IRISH picture-book writers and illustrators who have come to the fore in recent years Marie-Louise Fitzpatrick has emerged as one of the most accomplished and most versatile. – Robert Dunbar, Irish Times

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‘Book with a view’ (every Tuesday) on children’s book illustrators. I’m no expert and I’m open to any/all recommendations – I’d love to find books that I’ve never come across – so if you have a suggestion, send it on.